Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet  Related Paintings of Diego Velazquez :. | infantan margarita vid atta ars alder | The Fable of Arachne a.k.a. The Tapestry Weavers or The Spinners | Queen Isabella of Bourbon | Francisco Lezcano | The Drunkards |
Related Artists:
auguste macke
August Macke (1887-1914) was a German painter whose harmonious and simple scenes of everyday life made a unique contribution to Expressionism.
Erik Henningsen
(29 August 1855 - 28 November 1930) was a Danish painter and illustrator. He is best known for his Social Realist paintings of poor and exposed groups in the 1880s and 1890s. He was the younger brother of Frants Henningsen who was also a painter. Erik Henningsen was born on 29 August 1855 in Copenhagen to Frants Ludvig Henningsen (1820-1869), a grocer, and Hilda Charlotte Christine ne Schou (1824-1880). He showed an early artistic talent and was articled to decorative painter A. Hellesen. He also took drawing lessons privately with C. V. Nielsen and was admitted to the Royal Danish Academy of Fine Arts in 1873. He graduated in 1877 and won several awards and distinctions, including the Academy's Annual Medal in 1887 and 1890, the Ancher Prize in 1889.
Francis Cotes
(20 May 1726 - 16 July 1770) was an English painter, one of the pioneers of English pastel painting, and a founder member of the Royal Academy in 1768. He was born in London, the eldest son of Robert Cotes, an apothecary (Francis's younger brother Samuel Cotes (1734 - 1818) also became an artist, specialising in miniatures). Cotes trained with portrait painter George Knapton (1698 - 1778) before setting up his own business in his father's business premises in London's Cork Streetelearning, incidentally, much about chemistry to inform his making of pastels. An admirer of the pastel drawings of Rosalba Carriera, Cotes concentrated on works in pastel and crayon (some of which became well-known as engravings). After pushing crayon to its limit as a mediumealthough he was never to abandon it entirelye - otes turned to oil painting as a means of developing his style in larger-scale works. In his most successful paintings, particularly those of the early 1760s, the oil paint is thinly applied, in imitation of his pastel technique, and imbued with charm, inviting comparisons with Allan Ramsay (1713 - 1784) and Sir Joshua Reynolds. They have clarity and warmth and possess a remarkable attention to costume. In 1763, he bought a large house (later occupied by George Romney) in Cavendish Square. One of the most fashionable portrait painters of his day, Cotes helped found the Society of Artists and became its director in 1765. At the peak of his powers, Cotes was invited to become one of the first members of the Royal Academy, but died just two years later, aged 44, in Richmond. He also taught pastel skills to John Russell, and his skills were described in book The Elements of Painting with Crayon.